"The exercising of weapons putteth away aches, griefs, and diseases, it increaseth strength and sharpeneth the wits, it giveth a perfect judgment, it expelleth melancholy, choleric, and evil conceits, it keepeth a man in breath, in perfect healthe, and long life." – George Silver (1599)



I wish these people at http://www.rsw.com.hk, these German people, these L.A. Kensyobudo people and Portland’s Mu Ryu could all battle.
Of course, nobody uses the same weapons.

Mounted Broadsword Match; USA, c. 1910
mounted usa militar swords
U.S. Navy Cutlass Practice 1898
navy saber practice
Singlestick practice in Cadets in Brownsville, Texas practicing with hickory sabers.
singlestick army sword saber hickory

This are from J. Christopher Amberger’s Fencing Blog. He also wrote The Secret History of the Sword: Adventures in Ancient Martial Arts, which is one of the best sword books out there and highly recommended.

Yoyogi Park – Sword Fighting from Chris Gaunt on Vimeo.

This page has a ton of anecdotes about bloody old school Old World fencing duels and the grievous wounds inflicted, that but paused the blood-ardor in the opponents eyes, until like a mad dying boar he runs you through and through too.
Gerome Jean Leon - Duel after a Masked Ball
Here is a good tale:

While the previous tale seems amazing enough, hardly anyone can tell a story more incredible than that witnessed by R. Deerhurst. Two duelists, identified only as “His Grace, the Duke of B ” and “Lord B “, after an exchange of exceptionally cordial letters of challenge met in the early morning to conduct their affair with pistols and swords. The combat began with a pistol ball inflicting a slight wound to the Duke’s thumb. A second firing was exchanged in which Lord B was then wounded slightly. Each then immediately drew his sword and rushed upon the other with reckless ferocity. After an exchange of only one or two thrusts, the two became locked corps a corps. Struggling to free themselves by “repeated wrenches,” they finally separated enough to allow the Duke to deliver a thrust which entered the inside of Lord B ’s sword arm and exited the outside of the arm at the elbow. Incredible as it may seem, his Lordship was still able to manage his sword and eventually drove home a thrust just above Duke B ’s right nipple. Transfixed on his Lordship’s blade, the Duke nevertheless continued, attempting repeatedly to direct a thrust at his Lordship’s throat. With his weapon fixed in His Grace’s chest, Lord B now had no means of defense other than his free arm and hand. Attempting to grasp the hostile blade, he lost two fingers and mutilated the remainder. Finally, the mortally wounded Duke penetrated the bloody parries of Lord B’s hand with a thrust just below Lord B ’s heart.

In the Hollywood swashbucklers this scene might well have have ended at this point, if not long before, but real life often seems to have a more incredible, and certainly in this case, more romantic outcome. Locked together at close quarters and unable to withdraw their weapons from each other’s bodies for another thrust, the two stood embracing each other in a death grip. At this point the seconds, attempting to intercede, begged the pair to stop. Neither combatant would agree, however, and there they both remained, each transfixed upon the blade of the other until, due to extensive blood loss, his Lordship finally collapsed. In doing so, he withdrew his sword from the Duke’s body and, staggering briefly, fell upon his weapon, breaking the blade in two. A moment later, the “victorious” Duke deliberately snapped his own blade and, with a sigh, fell dead upon the corpse of his adversary.

I think this goes to show that chopping is the preferred way to attack the enemy because it cuts through or batters away the opponent – once their forearm cut to or through the bone, they aren’t holding a sword and once a sword chops into their skull they can’t swing a sword and once any tendon or muscle is cut, they become closer to a puppets with cut strings.

“The sword of the samurai, as you know, was a possession valued higher than life itself, and if you touched a samurai’s sword you touched his dignity. It was deemed an act of unpardonable rudeness in those days for one samurai to allow the tip of his scabbard to come into contact with the scabbard of another samurai as the men passed each other in the street; such an act was styled saya-ate {saya = scabbard, ate = to strike against}, and in the absence of a prompt apology from the offender a fight almost always ensued. The samurai carried two swords, the long and the short, which were thrust into the obi, or sash, on the left-hand side, in such a manner that the sheath of the longer weapon stuck out behind the owner’s back. This being the case, it frequently happened, especially in a crowd, that two scabbards would touch each other without deliberate intent on either side, although samurai who were not looking for trouble of this kind always took the precaution to hold the swords with the point downward and as close to their sides as possible. But should a collision of this description occur, the parties could on no account allow it to pass unnoticed. One or both would at once demand satisfaction, and the challenge was rarely refused. The high sense of honour which prevailed among men of this class forbade them to shrink from the consequences of such an encounter.

So much by way of introduction. The episode I am going to describe arose in precisely this fashion. The parties to the duel were a ronin and three samurai, as I have already said. The ronin was rather shabbily dressed, and was evidently very poor. The sheath of his long sword was covered with cracks where the lacquer had been worn away through long use. He was a man of middle age. The three samurai were all stalwart men, and appeared to be under the influence of sake. They were the challengers. At first the ronin apologized, but the samurai insisted on a duel, and the ronin eventually accepted the challenge. By this time a large crowd had gathered, among which were many samurai, none of whom, however, ventured to interfere.

In accordance with custom, the combatants exchanged names and swords were unsheathed, the three samurai on one side facing their solitary opponent, with whom the sympathies of the onlookers evidently lay. The keen blades of the duelists glittered in the sun. The ronin, seemingly as calm as though engaged merely in a friendly fencing bout, advanced steadily with the point of his weapon directed against the samurai in the centre of the trio, and apparently indifferent to an attack on either flank. The samurai in the middle gave ground inch by inch and the ronin as surely stepped forward. Then the right-hand samurai, who thought he saw an opening, rushed to the attack, but the ronin, who had clearly anticipated this move, parried and with lightning rapidity cut his enemy down with a mortal blow. The left-hand samurai came on in his turn, but was treated in similar fashion, a single stroke felling him’ to the ground bathed in blood. All this took almost less time than it takes to tell. The samurai in the centre, seeing the fate of his comrades, thought better of his first intention and took to his heels. The victorious ronin wiped his blood-stained sword in the coolest manner imaginable and returned it to its sheath. His feat was loudly applauded by the other samurai who had witnessed it. The ronin then repaired to the neighbouring magistrate’s office to report the occurrence, as the law required.”

E. J. Harrison, The Fighting Spirit of Japan (1913)


Song is Nlogax by Boards of Canada.