SWORDDUELING.COM

Look at this elder master move.

“The solo aspect of its circular solo practice is beautiful, yet exotic, full of graceful twisting movement, sudden stops and changes of direction, swooping and lifting actions as well as explosive hand movements. The functional aspect is harshly effective, without sporting elements as its martial effectiveness was refined by the many practitioners at the turn of the century who earned their living as personal bodyguards and merchant convoy escorts. Like the other internal arts, pa-kua emphasizes balance, natural breathing and relaxation, stability of stance, the development of twisting strength and internal power both for healing and martial purposes as well as the use of the mind to create intent and lead chi flow. Most defensive and offensive movements are done with the open hand; the horizontal energy of the twisting torso is emphasized; the weight of the body stays on the back foot when walking in a circle (though not necessarily when doing postures within each “change”; the steps are rather tight, the knees staying in close proximity one-to-the-other; and, kicks are normally aimed low, to the ankles, shins and knees. The essence of the art is learning to be upright, stable and comfortable in your posture and body mechanics while cultivating the ability to change quickly to deal with the tactics of an opponent. The smaller student learns to evade strikes while counter-attacking and the larger learns to batter his/her way through the attacker’s arms as a prelude to counter-attacking.”
- Michael Babin, Studying Pa Kua Chang